Archive for the Power Pop Category
Last year, I procrastinated heavily. I think there were a lot of good records that came out the last couple of years, but I started to think that for every record that came out, there was an equal number of these “best-of” lists being bandied about. At first I thought, “Wow, it’s finally happened. Everyone’s a music critic.” Then, with this pervasive thought entrenched in my gourd, I started reading these other lists before making my own.
I suddenly felt small.
So deadlines for the “best of 2007″ rolled around, and I was in a tailspin, dogged by the massive amount of music I had encountered. I kept reflecting on these words of Billy Corgan that I’d read years ago. Billy had once quipped to, I think, Rolling Stone, that, “Not every year can be a great, or even good, year in music.” This thought just stirred in my head and fed into some neurosis. The thought actually fucked with me; maybe 2007 wasn’t that great? Or was it? So I slacked until it was way too late to really do it with any fervor.
Newsflash: Shit aint happening like that this year. I’m past all that, and this year’s going to be different.
I don’t know if my opinion is necessarily better or worse than anyone else’s when it comes to music. I’m a long-time deep music fan who combs the trenches for something new and different, someone who’s been doing that for years. I have an opinion about music which is informed by all that, but I don’t pretend to know what is or isn’t “good” or “the best”. If you love hip-hop, you’re going to think a different album is the #1 album of the year than I am (even though I love hip-hop). If you love indie rock, same thing.
If I sat down and tried to pinpoint the one unifying factor in the music that I listen to and enjoy, it would have to be “music with a soul”. It doesn’t have to preach an ideology or start a movement, it doesn’t have to be anthemic or angelic. It simply has to get me to stop what I’m doing and go, “What in the hell is this?” When I become awestruck, the music will stay with me.
This list represents the songs released in 2008 (to the best of my knowledge) which caught me in my tracks, got me to stand up and take notice, gave me a reason to write and feel good at the end of the day that I was telling everyone a new secret or spreading the good news. I hope you’ll enjoy these as much as I have enjoyed hearing them.
1 - Voxpop - “The Boomerang Generation” (unsigned)
When this London four-piece popped this song into my inbox, I had no idea what I was getting. They sent a sweet and humble letter along with it asking me to please share with my readers. The song is dynamic in a string of ways: it’s a pop song, it’s a protest song, and it’s filled with the kind of energy I love to hear. Far and away, this is my favorite song of 2008. Let’s hope that 2009 will bring us a Voxpop album to hear & enjoy.
2 - Lil’ Wayne (produced by Bangladesh) - “A Milli”
The song is inescapable. You couldn’t get away from it most of this entire year & it took some folks a minute to get with the program. But love or hate Lil’ Wayne, this song was a cornerstone of 2008 stereos, parties, clubs, remixes, and just about everything else. Respect.
3 - MGMT - “Time to Pretend”
I am extremely proud of MGMT and happy for them — what started as an experiment in their dorm room at Wesleyan has blossomed into an anthemic world-wide phenomenon. This song was on the tips of every tongue that knew its words and could relate. This song is great because, plainly, it paints a portrait of a certain truth (to which you’re either hip or you’re not). The song’s intent, along the group themselves, seem to lack the pretension that the press wants to heap on them. I, for one, can’t wait to hear what their work with The Chemical Brothers is going to sound like.
4 - Santogold - “L.E.S. Artistes”
Santi White is an operator of the highest order: she’s the real deal, wearing every helmet she comes across with dignity and sheer style. Performer, songwriter, executive — she can do it all and do it all well. In the song “L.E.S. Artistes”, Santogold has both capitalized on and captured a portrait of a time in music and arts that has seemed fairly desperate. If ever an anthemic line was needed by those on their way to whatever success, “I can say I hope it will be worth what I give up” should be the mantra to which they adhere.
5 - Estelle (feat. kanYe West) - “American Boy”
It took me a long time to get into this record, but once it stuck with me I was sold. The maturity of Estelle’s progress as a performer and singer is impressive, her vocal prowess unmistakable. The marriage of her style with kanYe’s flows make the song as world-class as it purports to be.
6 - Lord T & Eloise (feat. 8 Ball) - “Back From the Business Trip”
If you’re from down in my neck of the woods, you know that Lord T & Eloise were everywhere this year, selling out (and overselling) venues everywhere. Word of mouth has been kind to them with good reason. Not just because I told you so (and I did tell you so), but because they gave 300% to every packed out venue they set foot in and ripped every microphone they touched. “The Industry” still haven’t figured out how to classify LT&E, but they need to stop thinking about it and just blast their jams. Aristocrunk is on the move.
7 - Aimee Mann - “Looking for Nothing”
As Aimee Mann carries on her journey as a songwriter and performer, she continues to craft elegant pop song structures around stories that evoke the wistfulness of a by-gone era with distinction. Fully modern in their presentation and execution, her 2008 release was a peerless collection of satisfying, soul-wrenching odes, perfecting a sound she has long been masterful in shaping and humbled by creating. “Looking for Nothing” represents her finest material, and one of the most perfectly-penned songs of the year.
From time to time, it seems to me that the least liked (or known) songs are often the most loved. Folk singer-songwriter Meg Hutchinson has, perhaps, suffered from a curse of virtual anonymity this year, but by no fault of her music. Some songs cannot be reviewed effectively; they can only take on meaning to the listener through time and circumstance. It is my great hope that others will come to find the deep-ceded affection that I have found for this song, an ode to appreciation for the things we all take for granted far too often.
9 - Erykah Badu - “Honey”
Erykah Badu….man man man. A soul diva and performer of the highest order, she just continues to release albums (and songs) that turn my knobs, nahh mean? Seems like on every record she releases, it’s the “bonus track” that really contains an actual bonus to it. New Amerykah Part One (4th World War) will likely be in my year’s best, and this song represents to the fullest what Ms. Badu is laying down.
10 - Portishead - “We Carry On”
I didn’t know what I was going to do when I heard a new Portishead album was on the way. With so much time gone between records, I couldn’t have imagined them being in bed with their old sound. I remember my shock as darker and moodier sounds came from my stereo; it was everything that I could have hoped for. This song was my #1 favorite from Third, an album I continue to love and be fascinated by.
The Rest Of The Best (Click Individual Songs in the Playlist to Play, or play for continuous stream in order)
11 Bon Iver - Skinny Love
12 TV on the Radio - Halfway Home
13 Raphael Saadiq - Love That Girl
14 Blitzen Trapper - Sleepytime In The Western World
15 Grace Jones - Williams Blood
16 Teenagers - Starlett Johannson
17 Al Green - You’ve Got The Love I Need (feat. Anthony Hamilton)
18 Adele - Chasing Pavements
19 Q-Tip - Manwomanboogie (feat. Amanda Diva)
20 Oasis - The Turning
21 Treasure Fingers - Cross The Dancefloor
22 Kutiman - Music Is Ruling My World
23 Smoking Popes - If You Don’t Care
24 Chad VanGaalen - Bare Feet on Wet Griptape
25 Benji Hughes - So Well
26 Friendly Fires - Paris
27 Brazilian Girls - Good Time
28 John Elliott - The Ballad of Wallace Green and his Dog
29 Bob Dylan - Dreamin’ of You
30 Department of Eagles - No One Does It Like You
31 Ssion - Street Jizz
32 The Roots - 75 Bars (Black’s Reconstruction)
33 Charles Hamilton - Brooklyn Girls
34 Sigur Ros - Gobbledygook
35 Jamie Lidell - Another Day
36 Gossip - Listen Up (Punks Jump Up Remix)
37 Of Montreal - Gallery Piece
38 Fujiya & Miyagi - Knickerbocker
39 Anthem In - Down
40 Blood Red Shoes - You Bring Me Down
41 Graham Weber - Italian Lullaby
42 Oh Snap!! - Bill Cosby Sweater (Hostage Remix)
43 Beck - Chemtrails
44 Thunderheist - Jerk It
45 T.I. - Swagga Like Us (feat. kanYe West, Jay-Z & Lil’ Wayne)
46 Coldplay - Death and all His Friends
47 Ivan Colon - Gabriel
48 Cut Copy - Far Away
49 Monsters are Waiting - Don’t Lie
50 Beach House - Gila
What an awesome way to start the day before my birthday. Two new remixes from two stellar artists end up in my inbox, remixed by two of my current favorite remixers/performers/disco savants — Fujiya & Miyagi and Friendly Fires, each of whom have recently released albums which shine rather brightly of their own accord.
The first remix is presented as the highly-touted “revitalized Mercury Rev” returns in full force with their seventh album (which I’ve just received and not had time to listen to as yet), Snowflake Midnight
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photo credit: dongraftI’ve been bragging about the new Oasis album Dig Out Your Soul
(Ed. Note: I’m reposting this with updated information, so if it looks like you’ve read this, you have — but now you can go buy the record)
I’m so sick and tired of all the bullshit, aren’t you?
I am so tired of being force-fed the idea that clowning on a style that you used to do is supposed to be clever and cool. Weezer’s completely over-hyped and under-delivering 2008 release, aka the Red Album, is getting one mention in this column and one only: every time you see another article hyping Weezer, remember that there’s a conspiracy out there of people trying to steal a piece of your soul. With all due deference to Weezer (a band whom I have loved and admired for many years), the new record just didn’t cut it, boys. I know that next great Weezer record will be here someday.
But today is not your day.
Meanwhile, only through some modern miracle did the byline of a reformed Smoking Popes happen my way this morning along with a copy of their new album, entitled Stay Down. Now, you know something? I have always liked Smoking Popes & I’ve always felt like they were treated like redheaded stepchildren to Rivers & Co., turning out a series of records and touring incessantly, putting on energetic live shows that were consistent. Smoking Popes have finally made the jump to legendary status, and you should sit up and take notice. More after the jump.
I don’t have a lot of time this morning to give it a proper overview, but I can honestly say this: if for many a year it has seemed to you (as it has to me) like Liam and Noel have been on about nothing when calling themselves “geniuses” or “brilliant”, their luck has turned (and thankfully, so has ours). Dig Out Your Soul is by far the finest new recording by Oasis in over a decade. I have enjoyed listening to it repeatedly over the last few days & plan to spend time telling you more about it when I get to a slow-down point.
All I can say is this: with a new recording this exceptional, I think Liam & Noel may have jumped the proverbial shark on disavowing the Radiohead model. This album would have sold millions in presales from fans who, upon hearing this, would immediately recognize the lost & found sounds. Don’t steal the album, you prat! Go purchase it when it comes available. I’ll tell you more when I know more. Also, forgive my hubris as a writer: I’m calling this a comeback.
Carry on.
After exchanging emails with Voxpop’s Alexander Miller, we’re going to eek out a new Voxpop MP3, one at a time in the hopes your excitement about their new songs will be equal or greater than ours.
Some helpful biographical information about the band: Voxpop formed in the wake of Alexander Miller’s exit from UK band The Upper Room, who released an album and a couple of singles on Columbia. They’re doing regular gigs around London, so make sure and keep an eye out for where they’re playing. Since we can’t get to London, we’d be thrilled if you send along some pictures?
Here’s the second round of MP3’s from their as-yet-untitled-and-unreleased new album, a song called “All The Time” along with a proper MP3 of “Hacienda Motel” which, Alexander informs us, is a tribute to the late Sam Cooke who was murdered at the Hacienda Motel in 1964. Enjoy.
Voxpop - All The Time
Voxpop - Hacienda Motel
Visit Voxpop’s MySpace page by clicking here.
I’ve been talking about starting this feature called “If I Had A Million Dollars” – a series of threads about bands I would sign if, in fact, I had a million dollars to help them make a record and promote them. Unofficially, the first installment really belongs to the band Anthem In that I mentioned earlier this week. However, I think you’ll agree with me about installment two.
This morning, bleary-eyed and caffeine-free, I read an email from Alexander of the London-based band Voxpop. I hadn’t quite had my coffee when I clicked thru to their MySpace link to check them out. What I heard really caught me off guard — in a beautiful menagerie of sound (the song “Hacienda Motel” to be specific), I was instantly reminded of the band Suede and of how much I miss them.
Now, don’t get me wrong — Voxpop isn’t a Bernard Butler imitation. They take what’s best about Suede and a number of other great pop and Brit-pop bands and blend them together. You’ve got a bit of Weezer, a bit of Franz Ferdinand, a bit of The Strokes and a dash of Futureheads for good measure. It’s an impressive first outing from a band who has played, perhaps, a handful of shows.
I played this for Maura and she and I agree about this much — God knows this is the band Bernard Butler should be producing — not Black Kids. However, producer Paul Epworth (who has produced Maximo Park, Bloc Party, Futureheads and Kate Nash) found them first. This is extremely solid songwriting. Singing about everything from dead hollywood stars to Jonathan Richman, I can tell you this is definitely a band to watch out for. When I get a new MP3 to post from the band, I will — in the meantime, here’s two of the songs I personally loved the best, “Hacienda Motel” and “Bad News”.
Voxpop - Bad News
Voxpop - Hacienda Motel
You can (and very well should) go listen to more at their MySpace Music page here.
(ed. note: When putting this piece together, we had some technical difficulties with the music player. They’re fixed — full album stream after the jump.)
Solid pop music is a commodity these days and, too often, the things I hear are simply “pretty good” or “okay”. However, in the mailbag today was an email from Brooklyn band called Anthem In. I don’t know how else to say it: I haven’t stopped listening to it from the second I put it on, so I’m very pleased to tell you about the band and about the record itself.
The self-released debut from this foursome comes out on June 24th and is well worth more than a cursory listen. Instant comparisons to lots of other bands will come to mind — Teenage Fanclub, Sloan, Rogue Wave, Death Cab For Cutie, Pinback — but the comparisons are only to give you a place to start from. There’s no Xeroxing going on here — if anything, there’s subtle referencing that never sounds forced.
So, if you already like any of these bands, Anthem In’s self-titled debut will be instantly gratifying. This is the kind of beatific album which walks the fine line between indie pop and radio rock, never stepping too far in either direction, always pulling you further and further in until they’ve got you right where they want you. More music and a giveaway after the jump.
