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Archive for the Power Pop Category

dukes-of-stratosphear

There was a psychedelic re-awakening of sorts in the late 1980’s, due in part to the pervasive cultural trend towards retrospective of the late-1960’s “Summer of Love”. In the midst of this, there appeared the psych-pop of The Dukes of Stratosphear. The Dukes were a spin-off of the much-loved British pop/punk act XTC, whom many consider the most important British rock act of the 1980’s. Though they worked feverishly to cloak themselves in anonymous monikers and lack of fanfare for the release of their first EP, 25 O’Clock, people would eventually come to figure out that the Dukes were alter-egos of Andy Partridge and co.

The Dukes of Stratosphear went on to release the full-length Psonic Psunspot and, later, repackage the two releases together as Chips from the Chocolate Fireball.

Though they’ve been out of print for some time, they’ve returned for a visit. Nearly twenty years later, Andy Partridge’s very own APE Label has reissued these beloved psych-pop albums, proving they’re just as bright and inviting today as they were tongue-in-cheek vogue during the “Summer of Love” renaissance 20 years ago. Enjoy these two tracks from the release.

The Dukes of Stratosphear – Brainiac’s Daughter
The Dukes of Stratosphear – My Love Explodes

* This LIMITED EDITION packaged CD comes in a HARDBACK digibook featuring brand new artwork and the booklet includes new sleeves notes by Andy, Colin and Dave Gregory and exclusive archive photos.

* Includes 9 extra tracks of demos and extra recordings including “Black Jewelled Serpent of Sound{Radio Caroline edit}”, “Open a Can of Human Beans”, “Tin Toy Clockwork Train”, and the VIDEO for “MOLE FROM THE MINISTRY”.

Last year, I procrastinated heavily. I think there were a lot of good records that came out the last couple of years, but I started to think that for every record that came out, there was an equal number of these “best-of” lists being bandied about. At first I thought, “Wow, it’s finally happened. Everyone’s a music critic.” Then, with this pervasive thought entrenched in my gourd, I started reading these other lists before making my own.

I suddenly felt small.

So deadlines for the “best of 2007″ rolled around, and I was in a tailspin, dogged by the massive amount of music I had encountered. I kept reflecting on these words of Billy Corgan that I’d read years ago. Billy had once quipped to, I think, Rolling Stone, that, “Not every year can be a great, or even good, year in music.” This thought just stirred in my head and fed into some neurosis. The thought actually fucked with me; maybe 2007 wasn’t that great? Or was it? So I slacked until it was way too late to really do it with any fervor.

Newsflash: Shit aint happening like that this year. I’m past all that, and this year’s going to be different.

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What an awesome way to start the day before my birthday. Two new remixes from two stellar artists end up in my inbox, remixed by two of my current favorite remixers/performers/disco savants — Fujiya & Miyagi and Friendly Fires, each of whom have recently released albums which shine rather brightly of their own accord.

The first remix is presented as the highly-touted “revitalized Mercury Rev” returns in full force with their seventh album (which I’ve just received and not had time to listen to as yet), Snowflake Midnight. If you’re in UK, they tour in November — dates after the jump.
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The Masterplan
Creative Commons License photo credit: dongraft

I’ve been bragging about the new Oasis album Dig Out Your Soul ever since it leaked & I’m not one for needless banter about bands that over-hype and under-deliver. Oasis hit this one out of the park. Don’t believe me? Click here to visit them on MySpace and find out for yourself. Win, win, win. Dig Out Your Soul is without a doubt the most well-crafted Oasis album in over a decade & now you can see what I mean for yourself.

Smoking Popes

(Ed. Note: I’m reposting this with updated information, so if it looks like you’ve read this, you have — but now you can go buy the record)

I’m so sick and tired of all the bullshit, aren’t you?

I am so tired of being force-fed the idea that clowning on a style that you used to do is supposed to be clever and cool. Weezer’s completely over-hyped and under-delivering 2008 release, aka the Red Album, is getting one mention in this column and one only: every time you see another article hyping Weezer, remember that there’s a conspiracy out there of people trying to steal a piece of your soul. With all due deference to Weezer (a band whom I have loved and admired for many years), the new record just didn’t cut it, boys. I know that next great Weezer record will be here someday.

But today is not your day.

Meanwhile, only through some modern miracle did the byline of a reformed Smoking Popes happen my way this morning along with a copy of their new album, entitled Stay Down. Now, you know something? I have always liked Smoking Popes & I’ve always felt like they were treated like redheaded stepchildren to Rivers & Co., turning out a series of records and touring incessantly, putting on energetic live shows that were consistent. Smoking Popes have finally made the jump to legendary status, and you should sit up and take notice. More after the jump.

Smoking Popes – Welcome to Janesville

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I don’t have a lot of time this morning to give it a proper overview, but I can honestly say this: if for many a year it has seemed to you (as it has to me) like Liam and Noel have been on about nothing when calling themselves “geniuses” or “brilliant”, their luck has turned (and thankfully, so has ours). Dig Out Your Soul is by far the finest new recording by Oasis in over a decade. I have enjoyed listening to it repeatedly over the last few days & plan to spend time telling you more about it when I get to a slow-down point.

All I can say is this: with a new recording this exceptional, I think Liam & Noel may have jumped the proverbial shark on disavowing the Radiohead model. This album would have sold millions in presales from fans who, upon hearing this, would immediately recognize the lost & found sounds. Don’t steal the album, you prat! Go purchase it when it comes available. I’ll tell you more when I know more. Also, forgive my hubris as a writer: I’m calling this a comeback.

Carry on.

VoxpopAfter exchanging emails with Voxpop’s Alexander Miller, we’re going to eek out a new Voxpop MP3, one at a time in the hopes your excitement about their new songs will be equal or greater than ours.

Some helpful biographical information about the band: Voxpop formed in the wake of Alexander Miller’s exit from UK band The Upper Room, who released an album and a couple of singles on Columbia. They’re doing regular gigs around London, so make sure and keep an eye out for where they’re playing. Since we can’t get to London, we’d be thrilled if you send along some pictures?

Here’s the second round of MP3’s from their as-yet-untitled-and-unreleased new album, a song called “All The Time” along with a proper MP3 of “Hacienda Motel” which, Alexander informs us, is a tribute to the late Sam Cooke who was murdered at the Hacienda Motel in 1964. Enjoy.

Voxpop – All The Time
Voxpop – Hacienda Motel

Visit Voxpop’s MySpace page by clicking here.

VoxpopI’ve been talking about starting this feature called “If I Had A Million Dollars” – a series of threads about bands I would sign if, in fact, I had a million dollars to help them make a record and promote them. Unofficially, the first installment really belongs to the band Anthem In that I mentioned earlier this week. However, I think you’ll agree with me about installment two.

This morning, bleary-eyed and caffeine-free, I read an email from Alexander of the London-based band Voxpop. I hadn’t quite had my coffee when I clicked thru to their MySpace link to check them out. What I heard really caught me off guard — in a beautiful menagerie of sound (the song “Hacienda Motel” to be specific), I was instantly reminded of the band Suede and of how much I miss them.

Now, don’t get me wrong — Voxpop isn’t a Bernard Butler imitation. They take what’s best about Suede and a number of other great pop and Brit-pop bands and blend them together. You’ve got a bit of Weezer, a bit of Franz Ferdinand, a bit of The Strokes and a dash of Futureheads for good measure. It’s an impressive first outing from a band who has played, perhaps, a handful of shows.

I played this for Maura and she and I agree about this much — God knows this is the band Bernard Butler should be producing — not Black Kids. However, producer Paul Epworth (who has produced Maximo Park, Bloc Party, Futureheads and Kate Nash) found them first. This is extremely solid songwriting. Singing about everything from dead hollywood stars to Jonathan Richman, I can tell you this is definitely a band to watch out for. When I get a new MP3 to post from the band, I will — in the meantime, here’s two of the songs I personally loved the best, “Hacienda Motel” and “Bad News”.

Voxpop – Bad News
Voxpop – Hacienda Motel

You can (and very well should) go listen to more at their MySpace Music page here.

Anthem In

(ed. note: When putting this piece together, we had some technical difficulties with the music player. They’re fixed — full album stream after the jump.)

Solid pop music is a commodity these days and, too often, the things I hear are simply “pretty good” or “okay”. However, in the mailbag today was an email from Brooklyn band called Anthem In. I don’t know how else to say it: I haven’t stopped listening to it from the second I put it on, so I’m very pleased to tell you about the band and about the record itself.

The self-released debut from this foursome comes out on June 24th and is well worth more than a cursory listen. Instant comparisons to lots of other bands will come to mind — Teenage Fanclub, Sloan, Rogue Wave, Death Cab For Cutie, Pinback — but the comparisons are only to give you a place to start from. There’s no Xeroxing going on here — if anything, there’s subtle referencing that never sounds forced.

So, if you already like any of these bands, Anthem In’s self-titled debut will be instantly gratifying. This is the kind of beatific album which walks the fine line between indie pop and radio rock, never stepping too far in either direction, always pulling you further and further in until they’ve got you right where they want you. More music and a giveaway after the jump.

Anthem In – Down

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